Evolution 2004: 1-6 November |
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![]() City of the Hemispheres, Superstudio |
In the ’60s and ’70s a number of radical international art/architecture/performance/design groups were formed with the shared goal of releasing architecture from the tight grip of consumer society and the agencies that dictated it. William Menking - writer, curator and professor of City and Regional Planning at the Pratt Institute New York - will discuss two of these visionary groups - Archigram (UK) and Superstudio (Italy). With optimistic spirits these young avant-gardes came to architecture’s rescue rejecting prevailing style with radical theories of anti-design, negative utopia and architectural extremity. Menking’s presentation will feature rarely shown films made by the groups including Superstudio’s Fundamental Acts and a video of the 1972 New Domestic Landscape exhibition. | ||
Recommended events/exhibitions:
Chip Lord in Conversation with Antonio
Muntadas | City Slivers and
Fresh Kills | Performing
Architecture Further Reading: Archigram website | Archigram (Peter Cook, Michael Webb, 1999, Princeton Architectural Press) | Superstudio: A Life Without Objects (exhibition at Design Museum London) | Superstudio: A Life Without Objects (Peter Lang, William Menking, 2003, Skira Editore) |
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![]() Cadillac Ranch, Ant Farm |
Trained as an architect, Chip Lord began his work as a media artist in 1968 as co-founder of Ant Farm, a countercultural art/architecture/video collective in San Francisco. Created as ‘an army of termites in the subsoil of American officialdom’ - for ten years the group undertook introspective investigations into the cultural, social and political substrata. Lord’s most recent work similarly focuses on American myths and icons from the cult of the automobile to baseball advertising, suburbia and television. Spanish born Antonio Muntadas makes installations, public art projects and videos that investigate the mass media and the way information is mediated and manipulated for power, propaganda and profit. Muntadas and Lord will discuss and screen examples of their work, moving through radical approaches to architecture, into video art, politics and the mass media landscape. | ||
Recommended events/exhibitions:
Visionary Architecture | Political
Advertisement VI (1956-2004) Further Reading: Chip Lord website | Antonio Muntadas website | Ant Farm 1968-78 (CM Lewallen, 2004, University of California Press) | Muntadas: On Translation: Museum (Octavi Rofes, Javier Arnaldo, Mary Anne Staniszewski, Jose Lebrero Stals, 2003, Actar) |
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![]() Political Advertisement VI (1956-2004), Muntadas and Reese |
The latest
version of an ongoing twenty-year video art collaboration, this one-hour
tape spans fifty years of US presidential advertising campaign spots.
Since 1984, Muntadas and Reese have expanded, and updated Political
Advertisement with every major election. Including the very latest
2004 advertisements, this fascinating anthology documents the selling
of the American presidency and reveals the political strategies and manipulative
marketing techniques of the televised campaign process. Edited without
commentary, an endless stream of candidates, from Dwight Eisenhower to
John Kerry, are paraded in public and sold like products. Just four days
after the US presidential election result, this screening is sure to resonate
with the outcome.
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Recommended events/exhibitions:
Chip Lord in Conversation with Antonio Muntadas |