| Evolution 2004: 1-6 November |
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![]() John Cage during Variations VIII |
In memory
of Billy Klüver - scientist, writer and originator of the art
and technology movement - who passed away earlier this year, his wife
and long term collaborator Julie Martin will give a talk and slide show
on 9 Evenings: Theatre and Engineering. Organised by Klüver
and Robert Rauschenberg in 1966, this series of events saw ten New York
artists work with engineers from Bell Laboratories to create performances
incorporating new technology. Martin’s talk will be followed by the
premiere screening of Barbro Schultz Lundestam’s new documentary film
of 9 Evenings: Theatre and Engineering: Variations VIII -
a live musical composition by John Cage orchestrated using light sensors,
kitchen implements, radios, Geiger counters and open phone lines. The documentary
features filmed extracts from the performance and interviews with the artists
and engineers. Film: 9 Evenings: Theatre and Engineering: Variations III by John Cage (Barbro Schultz Ludestam, 2004, 45 mins, video, colour/b&w, sound) |
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| Recommended events/exhibitions:
Eros, Outrage and the Toothless
Pixel | Antenna Further reading: Ubu (John Cage mp3's) | 9 Evenings: Theatre and Engineering | Billy Klüver obituary |
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![]() Seven Days, Chris Welsby, film stills |
Since the
early ’70s, Canadian based artist Chris Welsby has used film, video
and installation to re-consider the relationships between mind, technology
and nature. In Welsby’s art, the cinematic apparatus is exposed to
the elements and the natural world is free to interact and participate in
its own representation on celluloid. Welsby reveals the beauty and fragility
of nature and ‘makes it possible to envisage a relationship between
technology and nature based on principles other than exploitation and domination.’
Using philosophy, science, and extracts from his own work, Welsby will discuss
the continuities and discontinuities of nature and technology in art and
film. A ninety-five minute programme of the artist’s 16mm films from
1972 onwards will follow his talk, and will include the double screen Wind
Vane. Films (all Chris Welsby): Wind Vane (1972, 8 mins, 16mm, double screen, colour, sound); Anemometer (1974, 10 mins, 16mm, colour, silent); Windmill III (1974, 10 mins, 16mm, colour, silent); Tree (1974, 4 mins, 16mm, colour, silent); Seven Days (1974, 20 mins, 16mm, colour, sound); Winter and Summer (1972-73, 5 mins, 16mm, colour, silent); Stream Line (1976, 8 mins, 16mm, colour, sound); Sky Light (1988, 26 mins, 16mm, colour, sound) |
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| Recommended events/exhibitions:
At Sea | Pioneers
in Art and Science Further reading: Chris Welsby website |
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![]() At Sea, Chris Welsby, video still |
At
Sea by Canadian based artist and filmmaker Chris Welsby, is a fictional
seascape constructed on four screens projected side by side to create
a single, continuous, moving image. Recorded on the coast of British Columbia,
At Sea is a poetic study of winter light falling on the surface
of water and cloud; and an evocative portrait of the Pacific North West.
The work will be exhibited for one evening only:
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| Recommended events/exhibitions:
The Nature of Technology/Film | Pioneers
in Art and Science Further reading: Chris Welsby website |
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