Dennis Hopkins
Lumen
The programme of events, exhibitions and public projections for the
third Evolution take their inspiration from the city and firmly positions
Evolution as a catalyst for media arts against the backdrop of the
Leeds International Film Festival. Programmed by Lumen in partnership
with the Festival this year's Evolution strand has developed in exciting
new directions using new venues and public, city spaces marking itself
as Leeds' first and only celebration of the electronic and convergent
arts. Evolution aims to consider the future formal possibilities of
the moving image and negotiate a critical understanding of what the
digital moving image has been, can be and could be. The programme
stretches from pioneers to unknowns and spans overlooked venues and
city spaces to provoke thought and promote an inclusive approach to
public audiences. Screenings in Millennium Square, City Square and
Harvey Nichols as part of the Public programme underline Evolution's
commitment to finding new ways of presenting the electronic image
and new audiences for the Festival. Exhibitions of artists work recognise
the overlap of gallery and cinema whilst offering a broader understanding
of the human role embedded in the cinematic experience. Evolution's
ultimate aim is to engage and inspire using these new approaches and
recognise that our audio-visual environment is evolving and our complex
relationship inextricably bound up within it.
The programme culminates in a one day conference at the Odeon which
brings together leading edge creative thinkers to set new agendas,
concepts and questions exposing a broader local and regional creative
community to critical debates and issues that concern them. Presented
by a selection of leading UK and international speakers the conference
will showcase pioneering, avant-garde approaches to film and technology
examining the deeper meanings and processes behind their success.
By placing a strong emphasis on creative and conceptual approaches
to interdisciplinary practice the conference will offer a platform
for discourse on subjects including architecture, mobile technologies,
digital cinema, and gaming.
The impending closure of the Odeon signals a change in audiences,
technology and the venues for their interaction. The Odeon's alternative
function as a conference venue neatly addresses some of the key questions
and themes raised throughout Evolution and quietly reveals the inspiration
behind its development.
In presenting this programme Lumen would like to acknowledge the unrecognised
pioneer of the moving image Louis Le Prince and his foresight and
imagination in the development of the twin technologies of moving-image
recording and projection in Leeds at a time when the world was content
with shadow puppets, flick-books and magic lanterns.
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